The Relentless Pursuit of Fabulous

Ruminations on the dogged pursuit of a fabulous, balanced life of purpose from an occasionally star-crossed, but well-intentioned lady a sneeze away from 30.

Shut the Door, Have a Seat November 10, 2009

Before the afterglow of vacationy goodness had a chance to fade, I was told today that my job is being eliminated at the end of the month. I am officially obsolete at the ripe age of 29.  The writing has been on the wall for awhile, so while I’m not shocked, I am *lots* of other things. I’m sad, I’m happy, I’m pissed off, I’m confused, and I’m kind of numb. People have congratulated me saying that this is a great thing and other people have said they are totally shocked. Me, I’ve been okay–decisive and calm…totally zen all things considered. If anything, I’m amused at how radically things can change over just a few months. I’ve gone from being the prize in a tug of war between different departments, all who wanted me on their team to being eliminated entirely with a change in leadership. My, my–how fickle the world of media is. I’ve decided not to take it personally, though there are a few reasons why I certainly could.

 

So I’m heading for California far sooner than I anticipated. I’m breaking my lease and heading down south to get my new home all set up a whoppin’ 20 days from now. I’m getting the hell out of dodge.

 

The weirdest part is that I’ve never been unemployed–not since I was 12…seriously. My grandfather once told me that my workaholic tendencies were the result of a Puritan work ethic encoded in my DNA. He may have been onto something there…I had a thriving babysitting business in our subdivision that kept me busier and wealthier than all the lawnmowing boys in the neighborhood combined. I’m not ashamed to say it, I was just *that good*. I parlayed my mad skills into an afterschool job at an in-home daycare and in the summers, I scooped ice cream at Baskin Robbins.  Then I started college and well, as a freshman I started with the organization I work for now. That was 11 years ago…I feel like I’ve grown up there and in spite of feeling root-bound lately, I always thought I’d get to leave on my own terms.  Turns out, not so much.

 

Last night I watched Mad Men, as I always do on Sunday nights. Here my favorite characters were faced with an impending disaster–the company was about to be sold to a big, evil, corporate douche bag company. And instead of being whiny little bitches or wringing their hands, they took control and said damn the man, stole some clients, and started their own agency. I felt kind of ridiculous that I was so sublimely happy to see these ficticious characters taking the situation by the cajones. I had a dumb girl smile on my face watching Roger and Don reconcile and then seeing the whole gang together again, doing what they do best out of passion for the work. There was something awe-inspiring about watching Don circle the wagons in preparation of sticking it to those who didn’t give them the breathing room to do great work. I remember great work…vaguely. I think the last time I had the breathing room I needed to do great work was August 2008 while my mentor was still leading the organization.For the love of the game

 

For 3 seasons of Mad Men now, I’ve watched the relationship between Don and Peggy and it has always reminded me of my relationship to my former mentor. I only say former because we haven’t talked in a long time. I would still do anything for him, if only I could. What can a rookie possibly do for a veteran? I’ve worked for only one great leader in my past and he was it. I learned so much from him and I haven’t spoken to him in awhile in spite of a recent recommendation he posted on LinkedIn; instead we just exchange Facebook messages like we were nearly strangers. Well before all this me becoming obsolete nonsense started, I’d been thinking about him a lot lately and last night I cried for the first time in months thinking about how I’ve missed his jokes, his guidance, everything.

 

DonDraperI’ll admit, I was embarrassed by how much I cried when he first left. It had felt like the house of cards I’d been building based on his carefully strategized blueprint was swept away in a big gust of wind. The role he played in my career and in my life was and still is irreplicable and yet I feel like if I ever came out and told him all that, I’d disappoint him because I wouldn’t be able to do it without my emotions bubbling over causing me to shed tears like the wimp he taught me not to be. Pokerface, pokerface–that’s what he used to say to me when my heart was huge blinking neon billboard on my sleeve. He wouldn’t want tears; he’d want me to be as composed as he taught me to be. But I can’t be composed with all this chaos right now, so instead there is radio silence (or in my case, TV silence).

 

I hope someday I have the guts to tell him that he’s my Don Draper.

 

Dreamy, a little mopey and utterly awesome: New Moon Soundtrack review October 21, 2009

It’s been about 5 years since I’ve written a record review, so take it easy on me. I rate this 8.5 out of 10 stars…highly recommended!  I realize that a lot of fans of the Twilight series will need to hear the songs as part of the movie in order to really grasp how totally awesome this soundtrack is; I say that because even as I was getting attached to the new soundtrack, I found myself reverting to the first one because of how each track had the memory of favorite scenes. There are new songs and new scenes that we’ll all fall in love with come November 20. In the meantime, this new soundtrack is worth the investment.

Here goes my track by track assessment of the New Moon Soundtrack:new-moon-soundtrack-release-date

 

Meet Me On The Equinox
Death Cab for Cutie

For years now (thanks to The OC), I’ve felt a bittersweet, nostalgic pang when I think of how big Death Cab has gotten in contrast to my fondest memories of seeing them at college shows in Bellingham and at the old Crocodile Cafe.  From Something About Airplanes to The Photo Album, I’ve nursed several broken hearts with Death Cab over the years and while I’m happy this tradition is being ceremoniously passed onto the next generation of their fans by way the New Moon Soundtrack, part of me really hopes that this song might inspire people to reach further back in Death Cab’s catalogue to unearth the truly mope-tastic tunes of Death Cab’s earlier years. That said, this song effortlessly sucks you into the New Moon story with brute force.


Friends
Band of Skulls

I’m not even gonna lie, I’m really hoping there’s a scene of Bella walking in slo mo (not the exaggerated kind; more like the 5 frames slower than regular variety) alongside Edward with the rest of her impossibly hot bloodsucker crew to this song. It’s sexy, it’s awesome, it’s the otherworldly brand of dancey fun you would expect to hear in the brief moments of euphoria Bella gets to enjoy before her world comes crashing down. The music supervisor deserves a raise for making sure this track made the cut. Two enthusiastic thumbs up!


Hearing Damage
Thom Yorke

The man can do no wrong and this fuzzy, moody track is no exception. But will they embrace it’s dark, twisty depressed tones on this soundtrack?  I’m not so sure…my money is on the fact that once you know what song is next, you just might hit the skip button to get to…


Possibility

Lykke Li

Haunting, beautiful and sublimely perfect at capturing the very essence of the New Moon story, this is my favorite song on the soundtrack. The lyrics convey the vulnerability of nursing the open wound of a broken heart without flogging listeners with a literal interpretation of the story. I love how the dreamy lyrics are layered over a delicate, lilting melody with undertones of sadness, numbness, and longing:

“So tell me when you hear my heart stop, you’re the only one that knows. Tell me when you hear my silence, there’s a possibility I wouldn’t know.
So tell me when my silence’s over, you’re the reason why I’m closed. Tell me when you hear me falling, there’s a possibility it wouldn’t show.”

I fell in love with the song and then when I was reading about her decision to contribute a song this soundtrack, I was blown away to find out that Lykke Li and I share an affinity for Baz Luhrman’s Romeo+Juliet soundtrack, one of my all-time favorite scores and soundtracks. I’m definitely going to download more from her.


A White Demon Love Song

The Killers

I heard the opening strains of the intro and said to myself, “Sweet, Interpol is on this record?” And then I realized I was wrong. But that’s not an insult, mind you. Between the piano and the little breakdown that reminds me of The Beatles, this song is amazing. Did they read the book before writing the lyrics? Mentions of”selfish kisses” and “white demon love songs in her dreams…” totally remind me of Bella’s lullaby.


Satellite Heart

Anya Marina

I think when people refer to this soundtrack as “music to get sad to“, they have this song in mind. It’s devastatingly beautiful in its simplicity. Lovely layers of symphonic sounds  ebb and flow through a track that muses on longing and isolation as if pain were poetic. If I had to draw a paralell between this soundtrack and the Romeo+Juliet soundtrack, it would be between this song and Little Star by Stina Nordenstam. But I like this song better and that’s saying a lot.


I Belong to You
Muse

Mue, Muse, Muse–you are catchy, catchy, catchy. And epic, always epic. I love how totally super glam this track is, no wonder you’re Stephenie Meyer’s favorite. You’re my favorite, too. Listening to this song first thing in the morning allows me to cut back on the coffee necessary to get through my day. Can anyone listen to this song without shakin’ their ass? I don’t think so…


Rosyln
Bon Iver & St. Vincent

A heated debate over this song took place in my living room the other night as one of my so-called friends said that he resented St. Vincent’s participation in this soundtrack and was going to boycott St. Vincent as a result. He is one of those judgy record store clerks that I fear buying guilty pleasure records from. So I asked, “Have you *listened* to the soundtrack?” To which my friend gave a resounding “no” and I promptly replied, “Then shut the hell up.” Regardless of what anyone may think of the thousands of Twilight fans spanning the globe, thousands of people will be introduced to the amazing sounds of Bon Iver and St. Vincent via this soundtrack. That fact alone is bad ass. It’s good for the world, it’s good for musicians who deserve more widespread appreciation. So to the judgy record store clerks and indie snots of the world, I say shut the hell up.

But alas I digress–back to my review–this song is dreamy and ethereal and it’s an absolute tie with Lykke Li as my favorite track. Anyone who questions Bon Iver and St. Vincent’s contribution to this soundtrack can suck it, in my humble opinion.


Done All Wrong

Black Rebel Motorcycle Club

Pretty standard as far as BRMC goes, but again–I stand by my assessment that if new audiences are exposed to BRMC as a result of this soundtrack, the world will be a better place. I have to admit that as I listened to this song, I had visions of Edward having his own private meltdowns while he was apart from Bella to the sounds of this song. Come November 20, we’ll see if my theory holds water. I’m envisioning an excess of whiskey and growing out facial hair, but that may be a stretch.


Monsters

Hurricane Bells
 
Goddamn this song is catchy as hell. I was unfamiliar with Hurricane Bells save for this song, but I dug it. I couldn’t figure out how in the hell I hadn’t heard of them before, until I discovered that oh yes–it’s a Longwave cast-off. And I LOVE Longwave, always have and always will. Not too much exposition is required for a song like this with nice hooks, a kick ass guitar solo, and accesssibility that sets the stage nicely for…


The Violet Hour

Sea Wolf

With the deep depression that Bella falls into over the course of the New Moon story, it’s hard to see where this playful diddy falls into the story, but I have secrets hopes that maybe this might be a celebratory “shes’s coming out of her fog” track that lays the foundation for her relationship with Jacob Black. Pay attention freshmen, if you have secret designs to become a college radio DJ, songs like this will be your bread and butter. It’s just that good (thanks to Phil Ek–the quintessential producer who brought us the likes of Band of Horses, The Shins, and Fleet Foxes).


Shooting the Moon

Ok Go

A little boring and pedestrian, but then the breakdown that makes the whole track worthwhile. Not the stand-out track of the album, but pleasing enough…


Slow Life

Grizzly Bear (with Victoria Legrand)

This songs makes me want to close my eyes and sway. I love how this collaboration balances dreamy lyrical balance with innovative instrumentation. I won’t pretend I’m capable of sussing out all the elements of the layered sounds, I just want to put on my headphones and drift away for 4 minutes and 21 seconds of bliss.
 
Editors
No Sound But the Wind

Too heavy handed in comparison to the rest of the soundtrack. I’m not a fan of this track…it’s just much too much. That said, perhaps it’s really appropriate for the scene it’s used in. I shall reserve judgment until November 20. I fully intend to explore the Editors catalogue in more detail.


New Moon (The Meadow)

Alexandre Desplat

I’m not even remotely qualified to evaluate a musical score like this one, but I will say that I love it’s delicate progressions. It is inescapably pretty and really captures both the darkness and the innocence that we see in the New Moon story.


Solar Midnite

Lupe Fiasco

It’s taken 4 days and this song is finally kind of growing on me. I couldn’t figure out how this song fit into the soundtrack until I start thinking about Jacob Black’s character as he morphs from being perpetually friend zoned into a wolfy hunk. This song oozes testosteroney bravado and I’m reasonably certain that when I sit down to watch the movie it will fit perfectly into the storyline. My money is on a nice, wide shot of the werewolf pack being all shirtless and what not.
The Magic Numbers & Amadou & Mariam

All I Believe In

I’m not a fan of this song. I’m going to leave it at that. It’ll be fascinating to see where in the storyline they place this track.

 

2,344 pages in 5 days: Twilight immersion therapy October 17, 2009

What’s more terrifying than being turned into a vampire? Being turned into a Twilight fan.

Too pretty for words--god bless the production designer

God bless the production designer

Last week my mind was consumed with job hunting, with missing my fiancé, and with work-related dilemmas that show no sign of being resolved anytime soon. I’ve been…scattered, stalled out, frustrated and impatient—all of my most charming attributes blended into a sour margarita of annoyance with a bitter, salty rim. Fabulous.
 
Don’t get me wrong, there are lots of things crossed off the “stuff I’ve been putting off” list I made last week and I’m happy about that; lots of progress was made. I was surprised I wasn’t more hindered by the fact that I’m reasonably certain I gave myself food poisoning last Friday by eating leftover Tuna Helper from my own fridge. Yes, Tuna Helper–seriously. My avoidance of grocery shopping had dire consequences; a whole new low for my poor, neglected kitchen (and digestive system). Clearly last week’s “I need to take better care of myself” epiphany came a bit late. And clearly–a word to the wise–Tuna Helper doesn’t keep for even a mere 2 days. 
 
Feeling awful led me to order up an OnDemand movie. My selection? Twilight. I’d seen it once before, but that was after a night out with my best friend and we only half paid attention to the movie. It bears mentioning that she and I don’t have a great track record with late-night movie watching. When she was in town a year or so ago we stayed up late talking and drinking wine and then we both fell asleep sitting up while watching Reality Bites. I have no doubt it’s situations like these that led one of her old boyfriends to refer to us as “hetero life partners”; we’re destined to be old-lady friends. I welcome wrinkles and purple hair if it means I’ll be knitting on a porch somewhere in a housecoat and curlers next to her as we offer shamelessly honest commentary on each other’s good ol’ days and drink martinis at utterly inappropriate hours of the day. But alas I digress…
 
Watching Twilight this time, in my weakened Tuna Helper-infused state, I saw something different in it, and not just because the dreamy Robert Pattinson robert-pattinsontotally brightened an otherwise icky day (but he did–meeeeyow!). I finally grasped the appeal, the reason that millions of teenage girls *and* their moms, not to mention the countless other people like me who stumbled upon it unintentionally, are so utterly enraptured by the story. It’s not that the books are especially well-written, but the story is so engaging and so universal; it speaks to what we imagine love could be, what we dream about it being before we have life experience that will inevitably poke holes in the plausibility of it all. And whether your boyfriend is a vampire or not, it captures the rush of being in love with someone so much that they’re like oxygen to you. For as terrifying as it is to share something in common with the hordes of shrieking 14 year-olds of the world, getting immersed in Twilight this week was an incrediby welcomed escape from all the things weighing on me lately. 

 

What I didn’t expect was that seeing the movie at last (was I the last one in America? possibly) would spark a desire to intellectually dissect this pop culture phenomenon. I invested a whoppin’ $5.98 at Half Price Books in the interest of “cultural examination”  and to evaluate how the book to screenplay adaptation worked out–or so I told myself. I had no clue that I would burn through the book at an alarming rate and that as I read the words describing the intense moments of Bella and Edward’s sparking romance all fraught with impassioned complications that I would have flashes of boys from my adolescence who made my heart stop when they walked in the room. I didn’t expect for it to remind me of the weighty decisions about when and how I wanted to lose my virginity and to whom. I didn’t expect that as I read, I would be so completely reminded of Jane Austen’s writing and that Stephenie Meyer would actually come out and give a nod to one of my all-time favorite writers right there on the page. Holy crap! Was there actually a shred of substance behind what I assumed would be young adult fiction drivel? Flashes of being referred to as a Twi-hard made me cringe. No, no…this was a purely scientific exploration. I am not 14, goddamnit. Then again, I read Shakespeare and Austen and Dickens and Entertainment Weekly, so maybe this was all inevitable.

 

Meyer totally captured the essence of being a teenage girl in love, the heady recklessness that makes the entire world slips away when the object of your affection leaves the room. I saw how Bella’s awkwardness and loner tendencies were endearing and relatable. I saw how Edward’s character embodied the unattainable perfection we want to believe exists when we’re young and inexperienced in love, how that even as raging hormones make you want to tear your clothes off for the boy of your dreams, the allure of being able to sleep in his arms actually sounds more appealing than sex sometimes. And I loved that Jacob’s character embodied what real guys are like–flawed and jealous, but loyal and lovable all the same.

 

I had to know where the story was going and how it would end, so as my roommate and I rolled up to Third Place Books on Monday night so that I could buy New Moon and Eclipse, I had a sense of urgency to read the whole series. I tried to laugh it off, though K knows what a nerd I am and thus didn’t seem remotely surprised by this turn of events. Still, I felt like I should closet my new guilty pleasure in public. How would I explain this fixation of mine to my PBS-watching, NPR-obsessed friends who read really *good* books all the time?

 

I walked to the cash wrap and was suddenly hit over the head with a subconscious reminder of why there are certain books and albums I buy on Amazon instead. I just can’t handle having to look the clerk in the eye, like a teenager buying their first condoms or feminine products at Walgreen’s (remember the world before self check-out lines? not pretty). That feeling has washed over me many a time, especially at Easy Street Records where I know the too-cool-for-words hipsters behind the counter sit in silent judgement of my purchase. And I know that’s what they’re doing because in my college radio days, that’s exactly what my friends and I would do.

 

With books in hand, it took everything in me not to look the clerk in the eye. I knew if I saw even a hint of amusement at my selection, so much as a raised eyebrow and I would’ve shrieked in my 3-octaves-higher-than-usual voice, ”DON’T JUDGE ME! I’m having a hard time and this helps, okay??!” before launching into a 10 minute diatribe about the abysmal state of the California job market and it’s recent impact on both my personal and professional life. Thankfully, the dude was nice. No silent judgment alarms went off. No big whoop.

 

I spent 4 days immersing myself in the Twiverse while questioning my sanity for listening to the soundtrack on repeat as a coping mechanism to get through my workdays. I thought I’d wait until Breaking Dawn came out in paperback as I discussed with my old-lady-friend-to-be on the phone that day, but when I left the office after 8:30 p.m. on Thursday on a day punctuated with more drama and nonsense that I can tolerate, I realized I needed a fix real bad. I had to go pick up a copy of Breaking Dawn and I couldn’t run the risk of the Ballard Fred Meyer not having it in stock. So I went downtown and paid more for 9 minutes of parking than I did to buy the first book. Given that I’ve taken to calling the series literary heroin to friends and colleagues, the irony didn’t escape me. When I got there, I saw an empty shelf where the book should’ve been and I had to ask a B&N clerk for help to track it down, I couldn’t help but hear the phrase,“hey kid, the first one’s free” echoing in the back of my mind. We wound our way through the aisles and I noticed then that I’d missed the endcap display plastered with a lovely bit of signage that read “undying love” dedicated solely to Twilight. I guess the B&N marketing team either hasn’t read the books or decided that “undying addiction” was inappropriate or too literal for their target demographic.

 

So here I am in the wee hours of the morning, after blazing through 2,344 pages more than I’ve read in awhile, listening to an unfathomabe amount of rain dumping from the heavens layered over the sound of the New Moon soundtrack (review to follow) and I can’t stop thinking about the fact that for all the craptacular books that get published every year, at least one of them should be mine.

 

For last 5 years, I’ve dumped every bit of energy I have into my work. My writing, my music, and my creative outlets have been evaporating before my very eyes and I’m only just now seeing it. I don’t know if I have it in me to create a pop culture phenomenon of epic proportions, but I know I have at least one good story in me. So I’m taking a new perspective on this job hunt–maybe I will look into something less demanding so that I still have something left in me when I get home to put on paper.

 

In the meantime, I’m steering clear of Tuna Helper and will pick up Twilight on DVD tomorrow. After all, it wouldn’t be very scientific of me to not watch all the features on the 2-disc special DVD set, now would it?

 

 
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