It’s been about 5 years since I’ve written a record review, so take it easy on me. I rate this 8.5 out of 10 stars…highly recommended! I realize that a lot of fans of the Twilight series will need to hear the songs as part of the movie in order to really grasp how totally awesome this soundtrack is; I say that because even as I was getting attached to the new soundtrack, I found myself reverting to the first one because of how each track had the memory of favorite scenes. There are new songs and new scenes that we’ll all fall in love with come November 20. In the meantime, this new soundtrack is worth the investment.
Here goes my track by track assessment of the New Moon Soundtrack:
Meet Me On The Equinox
Death Cab for Cutie
For years now (thanks to The OC), I’ve felt a bittersweet, nostalgic pang when I think of how big Death Cab has gotten in contrast to my fondest memories of seeing them at college shows in Bellingham and at the old Crocodile Cafe. From Something About Airplanes to The Photo Album, I’ve nursed several broken hearts with Death Cab over the years and while I’m happy this tradition is being ceremoniously passed onto the next generation of their fans by way the New Moon Soundtrack, part of me really hopes that this song might inspire people to reach further back in Death Cab’s catalogue to unearth the truly mope-tastic tunes of Death Cab’s earlier years. That said, this song effortlessly sucks you into the New Moon story with brute force.
Friends
Band of Skulls
I’m not even gonna lie, I’m really hoping there’s a scene of Bella walking in slo mo (not the exaggerated kind; more like the 5 frames slower than regular variety) alongside Edward with the rest of her impossibly hot bloodsucker crew to this song. It’s sexy, it’s awesome, it’s the otherworldly brand of dancey fun you would expect to hear in the brief moments of euphoria Bella gets to enjoy before her world comes crashing down. The music supervisor deserves a raise for making sure this track made the cut. Two enthusiastic thumbs up!
Hearing Damage
Thom Yorke
The man can do no wrong and this fuzzy, moody track is no exception. But will they embrace it’s dark, twisty depressed tones on this soundtrack? I’m not so sure…my money is on the fact that once you know what song is next, you just might hit the skip button to get to…
Possibility
Lykke Li
Haunting, beautiful and sublimely perfect at capturing the very essence of the New Moon story, this is my favorite song on the soundtrack. The lyrics convey the vulnerability of nursing the open wound of a broken heart without flogging listeners with a literal interpretation of the story. I love how the dreamy lyrics are layered over a delicate, lilting melody with undertones of sadness, numbness, and longing:
“So tell me when you hear my heart stop, you’re the only one that knows. Tell me when you hear my silence, there’s a possibility I wouldn’t know.
So tell me when my silence’s over, you’re the reason why I’m closed. Tell me when you hear me falling, there’s a possibility it wouldn’t show.”
I fell in love with the song and then when I was reading about her decision to contribute a song this soundtrack, I was blown away to find out that Lykke Li and I share an affinity for Baz Luhrman’s Romeo+Juliet soundtrack, one of my all-time favorite scores and soundtracks. I’m definitely going to download more from her.
A White Demon Love Song
The Killers
I heard the opening strains of the intro and said to myself, “Sweet, Interpol is on this record?” And then I realized I was wrong. But that’s not an insult, mind you. Between the piano and the little breakdown that reminds me of The Beatles, this song is amazing. Did they read the book before writing the lyrics? Mentions of”selfish kisses” and “white demon love songs in her dreams…” totally remind me of Bella’s lullaby.
Satellite Heart
Anya Marina
I think when people refer to this soundtrack as “music to get sad to“, they have this song in mind. It’s devastatingly beautiful in its simplicity. Lovely layers of symphonic sounds ebb and flow through a track that muses on longing and isolation as if pain were poetic. If I had to draw a paralell between this soundtrack and the Romeo+Juliet soundtrack, it would be between this song and Little Star by Stina Nordenstam. But I like this song better and that’s saying a lot.
I Belong to You
Muse
Mue, Muse, Muse–you are catchy, catchy, catchy. And epic, always epic. I love how totally super glam this track is, no wonder you’re Stephenie Meyer’s favorite. You’re my favorite, too. Listening to this song first thing in the morning allows me to cut back on the coffee necessary to get through my day. Can anyone listen to this song without shakin’ their ass? I don’t think so…
Rosyln
Bon Iver & St. Vincent
A heated debate over this song took place in my living room the other night as one of my so-called friends said that he resented St. Vincent’s participation in this soundtrack and was going to boycott St. Vincent as a result. He is one of those judgy record store clerks that I fear buying guilty pleasure records from. So I asked, “Have you *listened* to the soundtrack?” To which my friend gave a resounding “no” and I promptly replied, “Then shut the hell up.” Regardless of what anyone may think of the thousands of Twilight fans spanning the globe, thousands of people will be introduced to the amazing sounds of Bon Iver and St. Vincent via this soundtrack. That fact alone is bad ass. It’s good for the world, it’s good for musicians who deserve more widespread appreciation. So to the judgy record store clerks and indie snots of the world, I say shut the hell up.
But alas I digress–back to my review–this song is dreamy and ethereal and it’s an absolute tie with Lykke Li as my favorite track. Anyone who questions Bon Iver and St. Vincent’s contribution to this soundtrack can suck it, in my humble opinion.
Done All Wrong
Black Rebel Motorcycle Club
Pretty standard as far as BRMC goes, but again–I stand by my assessment that if new audiences are exposed to BRMC as a result of this soundtrack, the world will be a better place. I have to admit that as I listened to this song, I had visions of Edward having his own private meltdowns while he was apart from Bella to the sounds of this song. Come November 20, we’ll see if my theory holds water. I’m envisioning an excess of whiskey and growing out facial hair, but that may be a stretch.
Monsters
Hurricane Bells
Goddamn this song is catchy as hell. I was unfamiliar with Hurricane Bells save for this song, but I dug it. I couldn’t figure out how in the hell I hadn’t heard of them before, until I discovered that oh yes–it’s a Longwave cast-off. And I LOVE Longwave, always have and always will. Not too much exposition is required for a song like this with nice hooks, a kick ass guitar solo, and accesssibility that sets the stage nicely for…
The Violet Hour
Sea Wolf
With the deep depression that Bella falls into over the course of the New Moon story, it’s hard to see where this playful diddy falls into the story, but I have secrets hopes that maybe this might be a celebratory “shes’s coming out of her fog” track that lays the foundation for her relationship with Jacob Black. Pay attention freshmen, if you have secret designs to become a college radio DJ, songs like this will be your bread and butter. It’s just that good (thanks to Phil Ek–the quintessential producer who brought us the likes of Band of Horses, The Shins, and Fleet Foxes).
Shooting the Moon
Ok Go
A little boring and pedestrian, but then the breakdown that makes the whole track worthwhile. Not the stand-out track of the album, but pleasing enough…
Slow Life
Grizzly Bear (with Victoria Legrand)
This songs makes me want to close my eyes and sway. I love how this collaboration balances dreamy lyrical balance with innovative instrumentation. I won’t pretend I’m capable of sussing out all the elements of the layered sounds, I just want to put on my headphones and drift away for 4 minutes and 21 seconds of bliss.
Editors
No Sound But the Wind
Too heavy handed in comparison to the rest of the soundtrack. I’m not a fan of this track…it’s just much too much. That said, perhaps it’s really appropriate for the scene it’s used in. I shall reserve judgment until November 20. I fully intend to explore the Editors catalogue in more detail.
New Moon (The Meadow)
Alexandre Desplat
I’m not even remotely qualified to evaluate a musical score like this one, but I will say that I love it’s delicate progressions. It is inescapably pretty and really captures both the darkness and the innocence that we see in the New Moon story.
Solar Midnite
Lupe Fiasco
It’s taken 4 days and this song is finally kind of growing on me. I couldn’t figure out how this song fit into the soundtrack until I start thinking about Jacob Black’s character as he morphs from being perpetually friend zoned into a wolfy hunk. This song oozes testosteroney bravado and I’m reasonably certain that when I sit down to watch the movie it will fit perfectly into the storyline. My money is on a nice, wide shot of the werewolf pack being all shirtless and what not.
The Magic Numbers & Amadou & Mariam
All I Believe In
I’m not a fan of this song. I’m going to leave it at that. It’ll be fascinating to see where in the storyline they place this track.